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Apple Tree Suite

Text Source

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Music

Don "Orfeo" Rechtman

Instrumentation

String orchestra

 

 

 

Sheet Music

(To copy the score to your computer, right-click the link and select "Save target as... ".)

Full Score A4 PDF

I. Golden Delicious

II. Valse Senescens

III.   Haunt Reminiscence

Parts may be produced from the .SIB file, or will be provided to you upon request.

Sibelius SIB scores (You will need Sibelius or the free Sibelius Scorchreader to read this file.) To save the file, right-click "Sibelius" and select "Save Target As..." and save it to your computer. The file suffix is ... .SIB.TXT   Delete the .TXT ; it may warn you about changing the suffix; click YES. The file is then ready for a Sibelius program.

I. Golden Delicious

II. Valse Senescens

III.   Haunt Reminiscence

Recording

Synthesized (and very rough) MP3 renditions of the three movements:

I. Golden Delicious (5.1MB)

II. Valse Senescens (1.8 MB)

III.   Haunt Reminiscence (9.8 MB)

Video

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Practice Tracks

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Lyrics Printout

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Composer's Notes

  

The Apple Tree Suite for string orchestra consists of three movements, each with its own dedication:

I.        Golden Delicious. Duration: 4:30
It was “Commissioned for the 50th Birthday of Matthew Aron Appelbaum by Katharine Joni Teter.”

 The melody and counter melody are derived from the letters in their names that match musical note names, thus: Matthew Aron Appelbaum yields the melody A B E A A E Bb A (“h” translates as “B” and “b” as “Bb” from the German); from Katharine Joni Teter comes the counter-melody A H A E E E. The first half has a decidedly mid-East feel, reflective of Mr. Appelbaum’s Jewish heritage; much of it is in 5/4 time, and plays the two name’s melodies in complement to each other. The second half is a beautiful setting of the melodies as a gentle waltz.

II.      Valse Senescens. Duration: 1:30
The dedication reads “For Mom on her 77th Birthday.”

This movement is as concise as it is short. It is a lush sound with muted celli and violas in a dialogue with response coming from unmuted violins. It is very French in sound, and has a feel similar to Satie’s music. It’s the kind of occasionally delightful piece you’d expect to hear in between NPR All Things Considered stories, or as the introductory music to a cooking show by one of Julia Child’s protégées. (Either or both would be welcome!)

The word Senescens refers to aging, to “becoming gray.”

III.   Haunt Reminiscence. Duration: 8:30
The dedication reads “For Dad on his 81st Birthday.”

This movement seems to be in the fast sections a cross between Hungarian dances, Israeli Klezmer music, and The Sorcerer’s Apprentice, and in the slow section something vaguely both Irish and Beethoven-ish. The first fast section is the “haunting;” the slow section, a Sicilienne (a slow, stately dance), is the “reminiscence;” the final (fast) section is the cohesion of the two (the “haunt reminiscence”). It is written to be a showpiece for a very good high school level or better string orchestra. 

The first two movements are playable by high school level musicians, although the second movement calls for divided violas and cellos. The third movement requires at least near-professional level players for an effective performance.

 Don “Orfeo” Rechtman

February 12, 2003

 

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Last modified: 12/11/19